as picked last week, i’m reviewing Ryo Fukui’s 1976 jazz album Scenery: a quick note up front – all the tracks here, with the exception of the last track, Scenery, are performances or covers of standards or other tracks. i[…]↓ Read the rest of this entry…
as picked last week, i’m reviewing Green-House’s 2020 EP Six Songs For Invisible Gardens: Peperomia Seedlings kicks off the record – real soft marimba tones and pleasant water sound effects. very serene and calming. Sansevieria opens by pairing long keyboard[…]↓ Read the rest of this entry…
as picked last week, i’m reviewing Coeur De Pirate’s self-titled 2008 record, well, Cœur De Pirate (which translates to “Pirate’s Heart”): gotta love opening an album named “Cœur De Pirate” with Le long du large, “Along the Open Sea”, a[…]↓ Read the rest of this entry…
as picked last week, i’m reviewing Tom Waits’ 2009 live record, Glitter and Doom. this record opens with Lucinda/Ain’t Goin Down To the Well, which languishes during the verses and get loud and rowdy during the choruses, this one’s a[…]↓ Read the rest of this entry…